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31  EARLY LEARNING / Teaching Your Child Music / Re: All Soft Mozart Discussion on: December 08, 2014, 02:18:16 AM
Materials from the XIII International Academic/Practical Conference
Modern Music Education 2014
http://pianolearningsoftware.com/pages/soft-way-to-mozart-science
32  EARLY LEARNING / Teaching Your Child Music / Re: All Soft Mozart Discussion on: December 01, 2014, 09:58:06 PM
Video for the conference:
Teaching children with the special needs: <a href="http://www.youtube.com/v/7aTVU6oala8&rel=1" target="_blank">http://www.youtube.com/v/7aTVU6oala8&rel=1</a>
33  EARLY LEARNING / Teaching Your Child Music / Re: All Soft Mozart Discussion on: November 27, 2014, 08:18:41 PM
Soft way to Mozart was accredited by Russian School of music, including the Moscow conservatory http://en.wikipedia.org/wiki/Moscow_Conservatory
St Petersburg conservatory http://en.wikipedia.org/wiki/Saint_Petersburg_Conservatory
and Herzen State Pedagogical University http://en.wikipedia.org/wiki/Herzen_University

BTW, Peter Tchaikovsky, the author of 'Nutcracker, is  St Petersburg conservatory's graduate  happy

Congratulations on such outstanding academic achievements to all connected with 'Soft Way to Mozart' system!
34  EARLY LEARNING / Teaching Your Child Music / Re: All Soft Mozart Discussion on: November 25, 2014, 04:36:41 PM
Learning to play chords and transposing them.
We recently developed the curriculum for very young beginners from 24 months. This curriculum teaches how to sing a very elementary melody in different keys and self - accompany it with piano.  You may read, watch, download and try the course by following this link:
http://www.softmozart.com/forum/55-teaching-videos/16607-transposition-melodychords-for-very-young-ii-i.html
35  EARLY LEARNING / Teaching Your Child Music / Re: Soft Mozart Question on: November 20, 2014, 03:37:44 PM
This just took me by surprise. When did Soft Mozart stop selling Perpetual copies and Why?  blink
Dear Elearning,
Since 'Soft Way to Mozart' was officially accredited by Moscow http://en.wikipedia.org/wiki/Moscow_Conservatory and St Petersburg http://en.wikipedia.org/wiki/Saint_Petersburg_Conservatory conservatories and Herzen University http://en.wikipedia.org/wiki/Herzen_University as an academic curriculum, we feel obliged to offer Soft Mozart as on line school with tests, guidelines and recitals to insure quality of education.
Please, visit our lesson plan page to choose for your child: http://www.softmozart.com/forum/63-lesson-plans.html
We are teaching piano, sight-reading, ear training, music dictations, transposing, music appreciation, applicable theory, improvisation and other subjects that your child will be able to use for the life time. The quality of education is meeting the highest standards of world renowned music schools and your achievement may be credited towards your child higher education.
36  EARLY LEARNING / Teaching Your Child Music / Re: The 6 Important Facts About Interactive Music Programs and Ipad Apps on: November 06, 2014, 02:56:38 PM
PS
In consideration with LM: different color codes for different music notes that had been sang with solfeggio is a reasonable approach for very young beginners. In fact, in some of our games (Guess Key) we also use different 'fruits' for music notes). The Solfeggio syllables and ear training tools in LM have seeds for the future development of sight-reading and music education. This is why so many LM users easily graduate to using visual and interactive Grand staff and our system
37  EARLY LEARNING / Teaching Your Child Music / The 6 Important Facts About Interactive Music Programs and Ipad Apps on: November 06, 2014, 02:42:26 PM
The 6 Important Facts About Interactive Music Programs and Ipad Apps That Everybody Should Know

The mind of your child is a vessel that is getting ready for a lifetime journey of discovery. As I am writing these words, every second of your life the invisible, but ferocious battle is going on for the attention of your child. Most of us have no idea, how crucial this is. “The hand that rocks the cradle rules the world,” we say. Sometimes we think that we have control over the cradle, but technology has something extra for our children, and this process is sometimes beyond our control. This is especially important to keep in mind when we give our children interactive technology to try out. I am talking about video and computer games and apps for smart phones and tablets.

The awareness (hopefully, the knowledge) about how interactive technology is affecting our children’s upbringing is very important these days. The skills that our children are getting are taking place in their “vessels” and will affect their entire life journeys.

As a music educator, musicologist, a creator of “Soft Way to Mozart” system, and as a developer of Elementary and Interactive Grand staff, I am also fighting for a place in minds of your children. My ultimate goal is to create a very special music experience in classrooms and households. My system promotes quality time for adults and children to team together, working on musical projects that stimulate their brains and souls.

I realize very well that the role of parents and educators in sorting through information is increasing every day. Only those who care and have professional education and skills can help children filter the information flow – visual, audio and tactile. The ability to differentiate valuable teaching tools and prevent any trash from getting in the minds of our children is a crucial task in education and upbringing today

Adults – parents and teachers – sometimes underestimate this necessity. Many mistakenly think that we have nothing to worry about: the companies that create such bright, colorful and fun interactive toys definitely know what they are doing; they are skilled professionals and won’t let anything harmful happen to our children. But the absence of hazardous parts that may cause physical harm to our children can’t guarantee safety to them.

We have to keep in mind that apps, video and computer games are usually created by teams of financial, technological and educational experts. What is more, the most important component – educational – is not the most powerful in such projects. More often you can see the fruits of the financial group: you find and are able to buy or download the products with the most attractive packaging and the most professional marketing and advertisements. We are absolutely sure that if big $$$ endorse the project, it is equal to the quality and effectiveness of the product. But artificially flavored drinks with the taste of strawberries are also professionally wrapped by highly paid designers!

The goal of any venture capital is immediate profit because money has to make more money. It is very hard to find an investor that would be interested in a long time partnership to promote the quality of our children’s education. It is especially difficult to find such an investor in the field of music education. It is no secret that music (for example, playing the piano) requires special knowledge and music educational background. For the majority of investors, music pedagogy--unlike reading, math or science--is not common knowledge. This is exactly why music games and interactive apps are created with immediate profit in mind and have little to do with real problems in music education.

Being a music educator for life, I worked on developing my system for more than 30 years. It took me 17 years to receive my music education and 9 years of learning about the most effective teaching tools in music. A computerized component of my teaching system was added in 2012 году after decades of refining all the components of piano and music classes, taught individually and in groups. My system had only one investment: its own merit. Today we show the world thousands of successful learners – people who grew up with my invention and achieved a real, well-balanced and effective music education. We are proud to present the world and piano competition winners – and properly developed children with special needs. I think, we achieved such results due to the fact that music educators – not financial institutions or programmer firms-- are running the company. Unfortunately, this is not the common practice for the industry.

When I see a new music toy on the market that has been developed by musically illiterate people, I take it with great concern. Many think that such toys can’t cause any harm – in the best case scenario, they may stir an interest in the child to make music. The problem is that the majority of people who download the software or apps have an ultimate desire to play the instrument and be able to read the music score. People want to have the freedom to choose any piano piece or song and play and sing it. The reality is that after working with ineffective teaching tools, they hit a brick wall and lose their self-confidence for good. They say to themselves: “It is impossible for me to learn how to play the piano and read music.” And they lose themselves. This loss is priceless, and no money can repair such damage!

The question is how to determine the real teaching tools from the gimmicks? I always start my teacher training with the same phrase: “All effective approaches are similar and are built on common sense. Each ineffective approach is different.” Here is the list of how you can differentiate the merits of several different teaching apps:
The look of the product can say a lot about the effectiveness. Here some hints for you to consider:

1.   Pictures. Start your analysis from the advertisement pictures. Take a close look: if you see smiley faces of children and adults at the piano happily looking at you, this product is most likely a fake. I have nothing against the bright and wide smiles in advertisements of dental products. But my experience as a music educator tells me that people who are involved in making music don’t smile at photographers – they are simply busy having the best musical experience they can possibly have. The staged pictures are the first red flag.

2.   Authors. Find the time to investigate who are the key players of the company. A lot of websites have such information about the developers. Who developed the app? If the authors are financial groups and/or programmers, ask yourself: would you trust the future of your children to people that have no idea how to teach them? You won’t trust a car technician with your child’s health, would you? Why should you be so quick to trust your children’s educational wellbeing to people who aren’t educators?

3.   Concrete results. Glory to You Tube! As never before, we can type the company’s name in a search engine. If most of the video materials are commercial, it means only one thing: the company has great financial backing. Good for them! What does it mean to you and your children? Nothing. Learning is an experience. If the result of the experience is a well-made commercial video, you are dealing with gimmicks: the educational products should be thoroughly tested. Otherwise they are potentially harmful for your children. Can you afford to allow such a tool in your children’s vessels? I don’t think so.

What is the essence of the quality of the teaching tool? The secret is simple: you have to see the concrete results in the people who use the product. It is not enough for me to see beginners that press a couple of keys on the piano with a computer orchestra accompanying the effort. I have to see how that interactivity brings any beginner to intermediate or even professional/advanced levels.

There are important rules that we have to consider in investigating any effective approach. One ought to rely on the past experience of any individual, develop current skills and plant the seeds for future knowledge and skills.

1.   If you see on the screen of your smart phone, iPad or computer any program that offers the traditional Grand Staff to a beginner, the picture has nothing to do with the person’s personal collected experience. All the written languages on Earth are linear, and we learn to read in any language by dealing with one line of text at a time. It is not an accident: our eye sight works this way. Five lines of music text require completely different rules of the game. The skills needed to follow all these tracks of information simultaneously are not given to us by nature and should be developed gradually.

2.   The app that has all the notes and piano keys color coded in individual colors leads to a dead end and has no link to the future. The essence of music sight-reading is dealing with the lines and spaces of the Grand Staff. If coded individually, the notes can be placed in one line and recognized accordingly. This is the dead-end approach. It solves the immediate problem: to receive your money from your wallet. And no matter how much you spent, you wasted every penny. The high price of such an “investment” is lost. Instead, believe that you CAN make music with your own hands.

3.   Observe whether or not the app/program has just an entertainment agenda in mind. Of course, the creators assure you that your children will get positive vibes, and this will promote their musical education. Be careful! Do not fall for that! Smart education ought to be involved in the process of the creating, developing and improving certain skills. The lack of these features turns our children into blind consumers, who are unable to create anything. The assurance that the entertainment is only fun is not a proper understanding of what fun actually is. We ought to educate our children about what the true definition of FUN IS. The ability to influence the world around them by using their creative energy will help them in the long run. But it takes an extra mile to achieve such a goal. Genuine education and upbringing should be gradual and should progress coherently: from the simple to the advanced, from the concrete to the abstract and from the general to the detailed. This was described by the greatest teacher – John Amos Comenius in the 17th century. Nothing has been changed since!

Look closely at your children: if they are involved in any activity, what do they get? The fish or a net to get one? Will the activity help build the future? Will it enhance their lives? Take a more active role in selecting what your child is doing. This is not just a form of play – this is the information to put into his vessel, which is supposed to serve his needs for his entire life!

If we are so worried about the nutrients in our children’s food, why shouldn’t we take care of the nutrients of their education? You are the one that is responsible for what your children will find in their vessels during their journeys: something that will be useful for the rest of their lives? Or needless trash that will do nothing for them?

Don’t let big companies with a lot of money rule your life!
38  EARLY LEARNING / Teaching Your Child Music / Soft Mozart Discussion on: September 20, 2014, 05:38:40 PM
Singapore, Musikal Gen Soft Mozart Open House was provided today with great success! 22 Kim Keat Road
Toa Payoh, Singapore 328839 +65 9768 0367
[email protected]
Attention: 1 hr and 40mins left to become a Pioneer member of Soft Mazart in Singapore and Asia. If you have decided to join us, please send a private message on FB or SMS to: 97680367 before 12mn.

A huge thank you to everyone who signed up today! We wish you a successful and happy musical journey ahead with us!
39  EARLY LEARNING / Teaching Your Child Music / Soft Mozart Discussion on: July 24, 2014, 03:31:35 PM
When I was a teacher in a state music school in Ukraine, we had a very talented student that was our school’s pride and joy. She was not my student, but I knew her very well as did all the teachers in our school. She was a winner of multiple piano competitions and nobody had a single doubt that she would be a stage performer and professional musician. I immigrated to the USA and visited Ukraine 10 years later to find out that this girl is pursuing a completely different career. She became an engineer. I asked her what happened. ‘I burned out,’ she said. ‘I don’t want to even open my piano. All I have is grief about music,’ she said.

Our personal experience is the most important criteria in life. It doesn’t matter what other people think, but lack of joy in any activity is crucial in our decisions.

So… what we should keep in mind when we are making plans to start music lessons for our children?

First, investigate the approach that your potential teacher uses. They have to be current with the latest, most effective findings in music education. Many think that a teacher’s personality is the main key of success in learning. This is not quite accurate. You would not keep any company or school that used an old fashioned abacus on a daily basis.

Before your child will progress to the artistic point of playing piano he/she ought to go through learning many basic skills.

The sweetest teacher in the world that doesn’t have any knowledge about current discoveries in music education is going to be potentially harmful for your child. Time has changed – so do we and so do our children. One cannot replace the most effective tools in teaching with words and personal ‘care’. In fact, I would be cautious about how much emphasis any ‘old fashioned’ teacher is placing on the uniqueness and ‘personal’ approach.

The rule of thumb is that the best teachers in the world want to be replaceable. Deep and honest care about the student’s success in life and education is their total agenda.

Real professionals always stick with what works best for any student; they always work on finding the best for students – not the most feasible for their ‘comfort zone’.

Second. How can you understand if the approach is correct? Ask what approach your prospective teacher uses and write down the key words. After that visit You Tube and find videos that link to that approach. If the approach initiates many videos with a lot of students from early learners, children with special needs, to prodigies; your teacher is a true professional, not a self–absorbed candidate for turning your child off music education.

Teachers can cause emotional scars on your child that are sometimes worse than a doctor’s malpractice. Would you prefer to have a nice, sweet surgeon with an ax and hammer – or you would like to have a highly skilled professional with the most accurate and up to date tools?

The reason why we used to hear that the personality of the teacher was so important is because we didn’t live at the time of the now current interactive technology. The teacher’s nice personality was only a ‘sugar pill’ that eased our struggles in learning how to read music and play the piano.

Third. Be cautious. It is very common for many music educators to create their own ‘ways’. Unfortunately, this indicates a weakness rather than effectiveness of the method (unless you can find A LOT of videos on You Tube that prove otherwise). Again, please, don’t be fooled by videos of prodigies. Any prodigy can learn despite the method. This is why many methods try to prove their merits by showing a couple of prodigies. This is a common and shameless scam. A true professional is the one who can teach anybody.

Fourth. If your perspective teacher is having a unique approach and a lot of videos of DIVERSE students on You Tube, check the followers of this approach. If the successful results are shown only by this particular teacher and limited to the exclusive class only his students with no followers from other fellow teachers, it means that the system relies heavily on the teacher’s ‘unique personality’ and you are going to be covered with ‘personality issues’ if something goes wrong.

Fifth. Be aware of the words:

‘I don’t use technology in my teaching.’

‘I don’t believe that digital keyboards or pianos should be used with the students.’

‘I start with games and introduce music notation later.’

‘We will start with theory first.’

‘I don’t introduce notation before your child knows letters and numbers.’

‘Young children’s hands and fingers are not strong enough to play the piano. I wait until they are at least 7 or 8 years old.’

‘A young child under the age of 7 has an attention span too short for piano lessons.’

With the current breakthroughs in applied music education - meaning actually learning to read and play an instrument (piano being the starting instrument of choice) - and the help of interactive technology there are no limitations in the learning process. In the words of one young student who learned to play a song in just a couple minutes, “So, this is how you play the piano!”


Finally, please note: just as you can teach your child today to speak, read, write, draw pictures, and explore the world – you CAN teach him/her to play the piano and read music. It sounds fantastic, but just recall how recently we switched to smart phones, tablets, Skype and the Internet! Today any parent or school can teach children applied music and piano online. As our Soft Mozart Academy shows, such an approach works better in today’s world than then any mediocre piano teacher.

Anybody Can Play Soft Mozart

Sincerely,
Hellene Hiner, professor of Herzen University (St Petersburg, Russia) - Developer of the Course 'Additional vocational training program and Interactive network technologies'. The author of 'Soft Way to Mozart computer based curriculum for teaching music and piano.

This letter was written with the help of Karla Hastings.

Karla Hastings is a piano teacher with over 4 decades of experience. In the late1980‘s she set up a successful nation-wide pre-school piano program for a major piano company using her own curriculum, Anybody Can Play. Always using technology to benefit students, she is now working together with Hellene Hiner, Soft Mozart, to bring the joy of learning to play the piano to greater numbers of young children (ages 2 to 102!) in the Anybody Can Play Soft Mozart program. She also has an iPad App: EZPianoNotes available in the Apple Store. Her new website:www.anybodycanplaysoftmozart.com should be up and running by August 1, 2014.

The entire message is placed here: http://us6.campaign-archive2.com/?u=7b127a834ee94feee883eeb10&id=1315a4ab26&e=c9ed776228
40  EARLY LEARNING / Teaching Your Child Music / Re: New Free DEMO: 'Happy Birthday', 'Amazing Grace', 'Fly me to the moon' etc on: June 29, 2014, 01:07:16 PM
Our Soft Mozart student from Gambia - Christina (Cool - had about 24 hours for learning 'Happy Birthday' to her daddy, She made it!

<a href="http://www.youtube.com/v/Dd8AdvFH0CQ&rel=1" target="_blank">http://www.youtube.com/v/Dd8AdvFH0CQ&rel=1</a>

41  EARLY LEARNING / Teaching Your Child Music / Re: Why I Avoid Classical Piano Training for My Daughter (+ Little Musician Update) on: June 20, 2014, 06:59:01 PM
Dear KL,
Thank you very much for your post!

As a classically trained musician I should disagree - as a person who almost quit piano at the same age as you were about to quit,  I see your point.
What we all mean by saying ‘classical’? Let’s be on the same page! For Russian and French school of music Solfeggio is a classical training course that teaches to sing by sight-reading, write music dictations (they play you music 7-8 times and you should write it down by ear), transposition (to play music in different keys), chords (to pick up chords to any melody) and much more skills. In fact, all what your friend from Philippines was able to do is within the scope of classical solfeggio training course.

So, I think that by saying ‘classical’ you were referring to classical music notation.

Unfortunately, with heavy solfeggio training in Russia many students fail to be as good as your friend from Philippines. Solfeggio is absolutely necessary for music training, because it uses speech repetition

http://en.wikipedia.org/wiki/Speech_repetition

After that beginners have gradually natural step. I call it ‘from speech to pitch’
For this very reason teaching the order of music notes and piano keys involving Solfeggio vowels is the step in the right direction. But is this step sufficient? This is the question.

Music is a written language. Therefore, eyes of any students also should be trained to be able to decode the music ideas. Otherwise, we will blindly follow just the information that we perceive through our auditory channels and overlook the rest.
I think the problem of the music development is the ‘user unfriendly’ visual interface. Our brain works a lot like a computer. If one program corrupted in it and have a ‘bug’ – the rest will be affected accordingly.

Simple example: if you in the process of learning how to drive a car, it is hard to enjoy the view outside the windows. Brain as a computer processor has no room for it.

Music notation is not fit for the physiology of our eyes. This is a bug in the system. Even Russian school of music that has Solfeggio as a very foundation for the music education fails a lot of students because of this bug.  Students love exams and challenges, if they CAN. With this ‘bug’ you have to have exceptional music ear for a start. It means that we destined to grow the plants just from the seedlings – not from any seeds.

Here I created some pages that explains the written above: http://pianolearningsoftware.com/pages/report-3
42  EARLY LEARNING / Teaching Your Child Music / New Free DEMO: 'Happy Birthday', 'Amazing Grace', 'Fly me to the moon' etc on: June 14, 2014, 05:59:40 PM
We just developed a new demo for our Visual and Interactive Sheets Help TM (Gentle Piano). Follow this link to download:
http://pianolearningsoftware.com/collections/free-staff/products/free-demo-songs

It has the following piano pieces:

'Happy Birthday' by Hill sisters

'Fur Elise' by Beethoven

'Amazing Grace' by John Newton

'Fly Me To The Moon' by Bart Howard

'Hot Cross Buns' (a Nursery Rhyme)

'River Flows In You' by Yiruma

'Stairway To Heaven' by Led Zeppelin

'Counting Stars' by 'One Republic'
43  EARLY LEARNING / Teaching Your Child Music / Re: Hellene Hiner starting webinars for parents and educators. on: June 09, 2014, 01:37:57 PM
Audio and all the images for the 1st webinar had been uploaded
44  EARLY LEARNING / Teaching Your Child Music / All Soft Mozart Discussion on: June 08, 2014, 01:33:08 AM
Please register for How to get attention of any toddler and teach them new skills. on Jun 8, 2014 3:00 PM CDT at:

https://attendee.gotowebinar.com/register/802587772092611073

Many think that teaching a preschooler or even a toddler to seat still, focus and keep expanded attention span is incredibly difficult task.
However, if to know some little tricks and to follow some very simple rules, your young family members at home and students in school or day care will become the joy of your instructional heart.
My first webinar could be very helpful for any family or educator, who cares about early education.


After registering, you will receive a confirmation email containing information about joining the webinar.

Brought to you by GoToWebinar®
Webinars Made Easy®
45  EARLY LEARNING / Teaching Your Child Music / Re: Digital technology as a favor for music education on: April 22, 2014, 01:05:18 PM
8.

It's hard to overestimate the importance of these skills for a child’s developing intelligence. With the “Soft Mozart” program, toddlers can develop the following important skills, which can be useful in their lives:

- manual dexterity;

- the ability to select small subjects;

- the ability to read line-by-line (to refocus from one small subject to another) without a pointer;

- the ability to listen to and remember sounds and how they are related to particular notes;

- the ability to play, sing and remember the note at once;


- direct interaction with musical text;

- the development of an ear for music, memory and musical thinking.

This list can be continued on and on.  Today I have invited the teachers who use “Soft Mozart" system in different countries and with different types of students to add their ideas, too.  They will help me expand this list, to enrich it with their observations and to share their experiences with you.

To sum up, I will review an important issue:   How can we solve the problem of giving an immediate solution to a cognitive question in the “Soft Mozart” program? 

<a href="http://www.youtube.com/v/tUfkLt-Eh1I&rel=1" target="_blank">http://www.youtube.com/v/tUfkLt-Eh1I&rel=1</a>

In my opinion, this problem is the most important one for schools in this digital century.  Luckily, the immediate feedback offered by the “Soft Mozart” system solves this problem perfectly.  Almost before the child can wonder if he is playing a note correctly, he sees the animated icon telling him he is correct.  If he isn’t correct, he immediately sees what to do differently.

Direct interaction with the Grand Staff by playing the piano keys and the ability to see at once the result of their actions—these are the instant answers to cognitive queries made by any “Soft Mozart” students. They can analyze their progress all by themselves. 

Students communicate with the music hand-to-hand and get immediate and constant support of their actions from a very patient computer program that never lets its frustration show.

Thus the students not only improve their skills, but develop self-confidence and a feeling of control over their own progress.

It's particularly important in “Soft Mozart” (as in popular computer games) that students compete with themselves.

It increases considerably the feeling of confidence and self-respect as well as the desire to continue learning.  In this system, students decide whether or not they want to receive an external grade from friends or professionals or other people around them.   

As such, it becomes a well thought out and deliberate decision.  Such interaction between a student and a teacher is more effective than just letting the student passively take in information, without really asking or getting answers to any of their important questions.


The combination of a computer and an electronic instrument has allowed us to make an accurate computation system.  It doesn't only develop and improve skills, but it makes this progress fascinating and venturesome (in the finest sense of the word).  The student's progress is counted accurately within a second and within a note.

Students get a fair evaluation of their actions; they see themselves gradually improving their rates of accuracy as they try again. This is an atomic stimulus for students.  Our system today is useful for 16-month-old children, who first discover music in their lives, when finding the first note and the key that corresponds to it.  Using our system, music school students while sight-reading can know exactly how many mistakes and rhythmical errors they have made, where they were made and how they can correct them.

Today I'm sure we have made the right steps to create a total music education. The results of using this system have shown me that we are on the right track, that we have to continue  developing in this direction.

Today is the time for all of music educators to make a crucial decision: to accept the finding of “Soft Mozart” invention and keep developing it–or to stick with traditions that clearly disregard the facts about our visual perception and physiology, facts that can’t really be avoided any longer. 

Every minute wasted on postponing the changes is resulting in wasting hours of someone’s life.  Shooting computer games are not killing just virtual “enemies” and/or the precious time of our children–they are killing our culture and the spiritual growth of new generations. 

But this plague has a vaccine–a smart and ingeniously created educational system that uses technology for raising new learners to new intellectual heights.   A computer and a digital piano connected together are two “negatives” that make an affirmative A+ for music education and the wellbeing of our children, children of the digital age. 
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